Date | 29 February 2012 | ||
Location | Llandygai, Gwynedd | SH 60079 70986; 53.21744°N, 4.09701°W | |
Information |
In 1820, Sir Richard Westmacott (1775 – 1856) — at the time Britain’s foremost sculptor of public statues — created this memorial in St Tegai’s Church to the first Baron Penrhyn. The romanticised neoclassical tableau, with idealised life-sized figures, depicts a quarryman and peasant woman mourning over a sarcophagus. Above the inscription can be seen four bucolic scenes with cherubs: playing pan pipes whilst tending goats; working slate; learning to read; and dancing and harvesting. Richard Pennant (1737 – 1808) married Anne Susannah Warburton, heiress to the Penrhyn estate, in 1765 and in 1783 was granted an Irish peerage (an honour which did not disqualify the recipient from sitting in the House of Commons in London), becoming the first Baron Penrhyn. He served as an MP for Liverpool and, owning 8,000 acres of sugar plantations and over 600 slaves in Jamaica, was an outspoken supporter of slavery and fervent campaigner against the abolition movement. Pennant used the great wealth derived from the plantations to invest in the Penrhyn estate and to industrialise the slate quarries of Bethesda. He developed the transport infrastructure to distribute the slate products, building Port Penrhyn and establishing a rail link from Penrhyn Quarry to the port. Richard Pennant, 1st Baron Penrhyn (Wikipedia)
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great photo’s graham great post
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Thank you!
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I don’t know how I would approach this subject with a camera…such a creepy and waxen-looking thing, this monument. You have achieved something which somehow brings out the hubris and self-regard of these folk yet in the dust-rimed images, there is another story. My goodness, cherubs splitting slate..lol. A great set of photos, Graham!
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Yes, quite disturbing in some respects. I just hope that the ‘peasantry’ were jolly grateful 😉
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Wow, seeing the detail up close- its quite beautiful. I too love the cherub slate workers!
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Thanks for your visit, Catrin.
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I appreciate the photographs as much as the detailed description of what their importance is. It doesn’t seem strange or ironic that Sir Richard both built up the slate quarry industry and was also an outspoken supporter of slavery. Quarrymen may as well have been slaves themselves considering those photographs you’ve shown of their barracks. I suppose I’d have been inclined to provide the man with a less grand sarcophagus–but then he was a product of his times, I suppose. Stunning sculptures and beautiful photos.
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Yes, by today’s standards it seems utterly hypocritical on the one hand to claim to have ‘advanced religion and morality’ whilst on the other to fiercely oppose abolition on the grounds that it would damage the economy. Their patrician sense of entitlement would also, I presume, have allowed them to easily justify the vast gulf between their life of luxury and the sorry living and working conditions of the quarrymen in their employ.
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Great images here, And a great story too, Graham.
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Thanks, Katie.
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Hi Graham. I would like to use the great main photo for a presentation I am giving on the commemoration of heroism and valour in the 19thC. I’m not getting paid and will give full credit and link so hope that’s OK with you. The monument has been noted as a very early representation of the noble everyman see…
‘Amor Publicus Posuit’: Monuments for the People and of the People
Author(s): Nicholas Penny
Source: The Burlington Magazine, Vol. 129, No. 1017, Special Issue on European Sculpture(Dec., 1987), pp. 793-800
Published by: Burlington
Best,
Andrew Walmsley
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